The twentieth Bitef Polyphony will mark its anniversary by various events and surprises which will occur through interactions between performers and audience as new polyphony community. Theatre productions, performances, workshops, discussions, round tables, on-spot visits, and new initiatives… open up the possibility for the audience, especially the young one, to choose and actively participate in the events, to discuss and exchange the experience about what they have seen, and the topics that have been raised.

As a side program which searches for polyphony concepts of its own modification, organization and presentation, Bitef Polyphony is marked by a rather complex composition. This year, it is designed as a small metaphoric fugue based on the old topic of artist’s role in the work with the young, and in the new topic and anti-topic in the spirit of an unexpected but very positive and uplifting Bitef slogan - LET’S START LOVE OVER… Marking its first encounter with Bitef, which took place twenty years ago, Bitef Polyphony has once again toyed with the slogan and created its own - FROM THE VERY FIRST HUG… The title is on the trace of the main slogan, it is taken from the same famous song, but with the Polyphony it acquires a wider symbolism and meanings. First hug like the first encounter and unity with Bitef and with the organizers of the project “Art for Social Changes - Play against Violence” from which it has ensued in the form of first presentations and audience participation, as first links and shapes of polyphony concept, new initiatives and partner projects which have maintained Polyphony, helped it to become Bitef Polyphony and to persist until today.

This year, in its twentieth edition, Bitef Polyphony will last for seven days, from 19th until 25th September, it will bring together artists, first project leaders, and former young participants who are today the leaders of the new projects that we present. Together with them, through memory and creative perspective on the topical issues, there will also be the participants of all the previous Polyphony editions, partners from the region and the youngest generations, including the audience who are invited to discover their right to be heard, to participate, to create their own stories and get involved in developing new theatre initiatives and new artistic actions for social changes.

Polyphony does not have a curator. Based on the polyphony principle, stimulated by the anniversary and by the main programme concept, the twentieth Bitef Polyphony is tended by the board and organizational team made of the representatives of the ones who lead and support this year’s programme.

Bitef Polyphony concept author: Ljubica Beljanski-Ristić
20th Bitef Polyphony coordinator: Nemanja Dragaš

The first Polyphony was marked by a project by the European Cultural Foundation from Amsterdam and the Network of Open Society Foundations for Southeast Europe, as a 34th Bitef side programme, which was, back in that 2000, prepared under the slogan “Theatre and Evil”. The programme of Polyphony was, as a matter of fact, the finale to the project “Art for Social Changes - Play against Violence”, performed through presentations, seminars, and the results assessment. The project aimed at reopening regional exchange and cooperation, at supporting performing arts as a method of work, and the role of artists in work with the young in times of crisis, conflict, and warfare. In the following period, Bitef Polyphony, supported by CEDEUM (Centre for Drama in Education), has become a regular Bitef side programme, continuously building and accomplishing it unique polyphony theatre concept of participation and art for social changes. 
 

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Playing in the sand

Playing in the sand

Theatre troupe “Playing in the Sand” was founded in April 2019 with an intention to explore, launch and promote a special theatre form - theatre of objects. The troupe’s main idea is to explore this theatre form, both in practice and in theory, to produce full-length performances for adults, children and young people, but also to promote itself among other associates and colleagues in the domain of art, culture, and education. Theatre of objects is a form ...

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The summer when I learned how to fly

The summer when I learned how to fly

By force of circumstances, the girl Sofija doesn’t go camping with her friends, but spends her summer holiday with her grandma in Croatia. She is full of prejudice and deeply sceptical about the not very desired situation in the eyes of a teenager, to spend the holidays with her grandma and her sister, grandma Luce, who lives in an island… However, as days go by, Sofija meets new friends, falls in love for the first time, and breaks her own ...

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Masks

Masks

Masks is a programme of theatre in education, created in 1999, with an aim to confront young people with various forms of violence and teach them how to resist, but also how to act in order to prevent it altogether. In the past twenty years, the performance Masks has been played and the participants taken through the process 526 times, all over Bosnia and Hercegovina, but also in Serbia, Croatia, Slovenia, Great Britain, the United States… When asked how they managed to perform ...

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Playing for life – Polyphony in duration

Playing for life – Polyphony in duration

Projects presented at the first Bitef Polyphony in 2000 all went under the same name “Playing for Life”. This title was taken from a tale of a small sheep ballerina who danced herself to exhaustion but still managed to outplay the bad wolf. The moral of the story is that art and decisiveness to resist can overpower any evil, even death itself (Ivo Andrić, “Aska and the Wolf”). These first projects gave rise to numerous new ...

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In my head

In my head

When we break an arm, catch pneumonia or come down with any other physical illness, we go to see a doctor. But when we feel pain “somewhere inside”, we don’t want to ask for help or we don’t know how. The performance “In My Head” is a story about two teenagers, Borna and Vanja, who don’t know how to help themselves. The performance is a project who aims at initiating a dialogue and raising conscience about dangers of mental illnesses. It has ...

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Microcosm

Microcosm

The performing event is the result of work in progress system, and a series of workshops held in the past seven years. From work in progress we have come to the progress in work model: a combined use of analogue light sources, circus skills, dance, poetry and visual alchemy inspired by the poem The Ray of the Microcosm”, written by Petar II Petrović Njegoš. The first version of the performance, named The BOX was played at the festival “Belgrade of Light” in February ...

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White Mane

White Mane

White Mane is a story about a friendship between a boy and a horse. In this performance, there are four stories. One is told by the boy, the second by the horse, the third by an old stableman, and the fourth by the Owner on whose estate it all happened. The audience has a task to collect all the stores. The performance is meant for the children older than six, but also for the adults who haven’t forgotten what friendship and freedom are, and why it is important to take ...

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White Mane quietly asks

White Mane quietly asks

The company of associates gathered around the White Mane performance holds four workshops. The young people will meet Tijana and Miloš - to test how we can understand the questions of freedom, friendship and trust through theatre games. Vera will meet up with professionals who work with children to share her knowledge and experience in the application of the method of storytelling. Boris comes up with a polyphony game with all the (un)realized city musicians, starting ...

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Polyphony for Škograd

Polyphony for Škograd

Interactive animation/promotion of a new school multifunctional scene

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To Šabac – On the spot

To Šabac – On the spot

There are performances on various topics, with various approaches to storytelling. What makes our White Mane special are its topic and the way the story is told. The most special thing of all, however, is trust - trust as a big and important topic of the White Mane story, but before anything the trust we had in each other while working on it. Just like the boy Folko embarked on an adventure with his friend, the white foal, we embarked on the adventure of making a ...

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Видео и галерије слика

Video
Video - Philosophical Theatre

Video - Philosophical Theatre

Video
Video - Borka at Bitef - Discussion

Video - Borka at Bitef - Discussion

Bitef's open class part 2

Bitef's open class part 2

Love party at BIGZ

Love party at BIGZ