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Audience Survey - Why Does Herr R. Run Amok?

We asked the audience about the impressions

Audience Survey- Remote Belgrade

Audience impressions on the performance “Remote Belgrade“

“Remote Belgrade“ - An Interview with Nikolas Neecke

“Remote Belgrade“ is an immersive show by the company Rimini protokoll which is performing at this year's Bitef festival. With its form it opens the questions of its content: the spectators are also the actors, they are part of the group that represents one social system in which the instructions by a computer generic voice from the headphones are being followed. We talked with Nikolas Neecke, the sound designer of this show, about the ...

“Orestes in Mosul“ – Audience Survey

Audience impressions on the performance

An Interview with Norman Ohler - The Guardian

German writer Norman Ohler’s astonishing account of methamphetamine addiction in the Third Reich changes what we know about the second world war

“Orestes in Mosul“ – Аn Interview with the Actors of Performance - Johan Leysen and Susana AbdulMajid

“Orestes in Mosul“ a play by Milo Rau and the company NT Gent from Belgium links one of the biggest tragedies of ancient civilization “Oresteia“ with the situation in Iraq today. An excellent dramatic intertwining of myth and reality, linked by cycle of killing and revenge, is what engages us emotionally throughout the show. The bloody cycle in the drama gets broken by goddess Athena, but ...

Philosophical Theatre – Interview with Norman Ohler

What conclusion can we draw from the fact that your book, which deals with new aspects of a war that ended long time ago, received global interest and sparked off heated debates? Are we to conclude that we are still obsessed with the greatest destruction in the history of mankind? Or is the reason to be found in our fear from the right wing which is getting stronger and feels free to lean on the tradition of fascism?

Philosophical Theatre – An Interview with Srećko Horvat

- The occasion for this discussion with Ohler is his book about the Third Reich, the rise of right-wing populism, and the question if it is possible to prevent the mistakes of the future through the analysis of the past. It seems that up until now, there has been a lot of copying, and what has mostly been copied is dictatorship. Why do you think that is?

“Remote Belgrade“ as understanding of community

The performance Remote Belgrade by Rimini Protokoll fits perfectly to the Prologue Day which takes us from the last year’s topic into the new one, establishing the link between people and machines, the transient and the eternal, and, most importantly, between the participants. After world without people, we start love over.